An epic Italo-disco track from 1983, from the Turin-based duo Righeira. Sounds totally carefree, but the lyrics are actually about the fallout of a nuclear bomb:
Vamos a la playa / Let’s go to the beach todos con sombrero. / everyone with a hat. El viento radiactivo / the radioactive wind despeina los cabellos. / messes up your hair.
Vamos a la playa, / Let’s go to the beach al fin el mar es limpio. / finally the sea is clean. No más peces hediondos, / No more stinking fish, sino agua fluorescente. / but fluorescent waters.
An odd choice for the discoteca… and this, three years before actual radioactive winds blew to Italy from Chernobyl. (The video is also worth a look, if you have a high tolerance for neon.)
Today we’ve got a special double feature — one song, two ways. The first (and original) track is the Italian dancefloor hit ‘Margherita,’ aka ‘Daisy’… which repackages the “he loves me, he loves me not” children’s rhyme into an orgiastic italo-disco blow-out.
The genius behind this anthem was Pino Massara, an Italian composer and producer who wrote songs for some of the leading men and ladies of Italian music—Mina, Adriano Celentano and Nicola Arigliano among them. (This track actually samples Celentano’s 1968 hit ‘Azzurro,’ which Pino did not write.)
What I would give to be in a Milanese disco circa 1979, knowing Italians’ love for sing-alongs… pazzesco.
What do you get when you combine Rambo-style macho men with machine guns, the Lost Continent of Atlantis, radioactivity, and Italo disco? Why this message in a bottle from 1983, of course! The remarkably prolific De Angelis brothers composed this track for the Italian sci-fi film I Predatori di Atlantide aka Atlantis Interceptors. And it is a doozy. As you listen, imagine this:
Two Vietnam-vets and several scientists face an extraordinary battle for survival against descendants of Atlantis’ original race, when the Lost Continent emerges in the Caribbean following radioactive leakage from a sunken Russian nuclear submarine. Calling themselves “Interceptors”, the murderous Atlanteans set about reclaiming the world by killing everyone and destroying everything in sight. It is up to Mike, Washington and Dr. Cathy Rollins to uncover the secret behind their existence and use it against them in order to stop the interceptors’ apocalyptic rampage.
This post courtesy of a tip the other day from follower Captain Entropy, who says “My favorite Italo disco track from the soundtrack of one of my favorite films.”
This is Italy at its funky best—when the ol’ boot starts tapping on the disco floor. These are the DJs of Milan’s Radio Studio 105 aka Rete 105 singing a cover of the 1982hit ‘Vacances j’oublie tout,’ by French group Elegance. Doesn’t this kinda make you wish you were chilling with Giorgio Moroder and Donna Summer in the VIP room… doing what VIPs do? Too cool.
I’m posting this track also to showcase the TERRIFIC blog YING/YANGS, where you should head tout de suite. It’s home to so many alluring posts you’re sure to waste lots of time there discovering tracks like this. Also check out his sexy Japanese comps…what led me there in the first place. Thank you YING/YANGS!
Ready, set, dance. Very catchy synth-driven Italo-disco from Bologna in the early 80s. The trio is Englishman Paul Griffiths on guitar and vocals, backed by his Italian buddies Rudy Trevisi and Serse Mai, who play everything else, mostly stuff requiring a plug.
The original music fits quite spectacularly with a freshly landed flying saucer’s blinking lights. But these close encounters of the disco kind blow the original out of the galaxy. This is strutting music for polyester-clad, Moroder-mustachioed martians.
Mulholland Driving, driving music inspired by a dark night navigating the Hollywood Hills.
Music for promotional purposes only. If you are the copyright holder of a particular song and wish to see it removed, I'm happy to do so. Just let me know.